He has collected eight Grammy nominations since 2013, released three chart-topping albums and is known as a streaming juggernaut.Īfter recreating rodeos and flying atop an animatronic bird over his crowds, Scott staged an international tour for “Astroworld” - named for a defunct Six Flags theme park near where he grew up - that featured a functional roller coaster that shot out over the audience. 1 single, “Sicko Mode,” with Drake, a feat Scott would repeat three more times from 2019 to 2020. “Astroworld” also featured the rapper’s first Billboard No. The album release was paired with an extensive merchandise collection that drove purchases, and it helped lead to collaborations with McDonald’s, Hot Wheels, Nike, Reese’s and more. The same year as his arrest in Arkansas, he joined the extended Kardashian universe as the boyfriend of Kylie Jenner the couple had a daughter, Stormi, in 2018 and are now expecting their second child.īut it was the release of Scott’s third album, “Astroworld,” in the summer of 2018, that cemented him among the upper echelon of superstar performers - and salesmen. He eventually pleaded guilty to a misdemeanor for disorderly conduct, and paid a $7,465.31 fine. In 2017, Scott was arrested again after a performance in Arkansas, where he was charged with inciting a riot for encouraging fans to rush the stage and bypass security. Scott later pleaded guilty to reckless conduct and was put under court supervision for a year. At the Lollapalooza festival that summer in Chicago, the rapper’s set was cut off five minutes in, after he told fans to rush the barricades, flip off security and chant, “We want rage,” resulting in a stampede that injured a 15-year-old girl.
“We don’t like people that just stand - whether you’re Black, white, brown, green, purple, yellow, blue, we don’t want you standing around.”Ī concert review from Complex that year was titled, “I Tried Not to Die at Travi$ Scott and Young Thug’s Show Last Night,” calling the concert “the most dangerous safe haven” and “a turnt-up fight for survival.”īut as Scott’s diverse audience expanded and his operation professionalized, he also ran up against the limits of his amiable anarchy. “Raging and, you know, having fun and expressing good feelings is something that I plan on doing and spreading across the globe,” Scott said.
Mosh pit astroworld professional#
In a 2015 GQ segment called “How to Rage With Travis Scott,” the rapper linked his childhood fantasy of becoming a professional wrestler to his later desire to make his concerts “feel like it was the WWF.” But after his proper debut, the musician began realizing his dreams of ambitious stage design and adrenaline to match. Just a year earlier, Scott was playing for tiny audiences. Using West’s inclination toward cultural pastiche, along with the genre-hopping, fashion-forward templates of artists like Kid Cudi and ASAP Rocky, Scott quickly emerged near the forefront of a micro-generation of rappers - Playboi Carti, Trippie Redd, Lil Uzi Vert - who brought a punk-rock sensibility to the mass scale of modern rap, especially in concert.Īfter a few high-profile guest appearances and two mixtapes released in 20, Scott’s first studio album, “Rodeo,” was released by Epic Records and rapper T.I.’s Grand Hustle label in 2015.
Scott, a Houston native who dropped out of the University of Texas to pursue music, became a protege to Kanye West in 2012. Yet those incidents only served to bolster the legend of the rapper’s live shows, with footage of stretchers, wheelchairs and the daredevil stunts that may have necessitated them - like leaping from lighting structures - used to illustrate Scott’s roving carnival of a career.īy Sunday, however, an official commercial for this year’s Astroworld festival that emphasized such imagery had been removed from YouTube. In an ongoing civil case, one concertgoer said he was partially paralyzed in 2017 after Scott encouraged people to jump from a third-floor balcony and then had him hoisted onstage. Twice before, Scott has been arrested and accused of inciting riots at his concerts, pleading guilty to minor charges. While crowd-control disasters have occurred at rock concerts, religious celebrations and soccer matches, the incident in Houston has quickly turned Scott’s biggest selling point and foundational philosophy as an artist into a flashpoint about his culpability after years of encouraging - and participating in - extreme behavior by his fans.
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